Looney 11, lens choices for the full moon, and composing with foreground
The sunlit moon is far brighter than the night around it. At f/11, set the shutter to match your ISO — ISO 200 → 1/200 s. Use Spot metering for exposure compensation, Manual Focus with Peaking, and bracket to be safe.
| Setting | Value |
|---|---|
| Aperture | f/8–f/11 (sharpest; detail on the surface) |
| Shutter | 1/125–1/250 s (freezes atmospheric shimmer, avoids blowing the disc) |
| ISO | 100–200 |
| Focus | Manual, near infinity — refine with magnified live view on the craters |
Use a tripod and a remote/timer, and shoot RAW to recover highlights.
Tamron 28-300mm — zoom to 300mm to fill the frame with surface detail; centre the moon to minimise distortion; a tripod is essential at that reach. Sony 24mm GM — the moon is small, so use it for wide dramatic scenes: moon rising/setting near horizon objects, off-centre on the thirds, or its reflection over water. Bracket to balance a bright moon against a dark foreground.
For dark-sky work where the moon is the problem rather than the subject, see Milky Way Planning.
Consolidated from notes: Moon shots luna 11 rule; Star & Moon photography; How to use the Sony FE 24mm F1.4 GM for full moon; How to use the Tamron 28-300mm for full moon
Sourced from Claude