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Moon Photography

Looney 11, lens choices for the full moon, and composing with foreground

The Looney 11 rule start here

The sunlit moon is far brighter than the night around it. At f/11, set the shutter to match your ISO — ISO 200 → 1/200 s. Use Spot metering for exposure compensation, Manual Focus with Peaking, and bracket to be safe.

Core settings

SettingValue
Aperturef/8–f/11 (sharpest; detail on the surface)
Shutter1/125–1/250 s (freezes atmospheric shimmer, avoids blowing the disc)
ISO100–200
FocusManual, near infinity — refine with magnified live view on the craters

Use a tripod and a remote/timer, and shoot RAW to recover highlights.

Which lens

Tamron 28-300mm — zoom to 300mm to fill the frame with surface detail; centre the moon to minimise distortion; a tripod is essential at that reach. Sony 24mm GM — the moon is small, so use it for wide dramatic scenes: moon rising/setting near horizon objects, off-centre on the thirds, or its reflection over water. Bracket to balance a bright moon against a dark foreground.

Composition tips (Joshua Cripps)

Picking the night

For dark-sky work where the moon is the problem rather than the subject, see Milky Way Planning.

Consolidated from notes: Moon shots luna 11 rule; Star & Moon photography; How to use the Sony FE 24mm F1.4 GM for full moon; How to use the Tamron 28-300mm for full moon

Sourced from Claude