Reading and building dense, layered, information-rich frames
Core idea: "more is more" — abundance, density, layering, contrast and visual overload that reward long viewing. The opposite of minimalism.
24mm GM — get physically close, emphasise layered depth, fill the edges intentionally, near/distant relationships. 90mm macro — compress busy details, isolate surreal fragments, hunt repeating patterns and visual collisions (a more uncanny, psychological maximalism).
Preserve shadow/highlight detail, moderate-to-strong contrast, rich colour separation, local contrast; don't over-crop away the edge detail. "Busy" isn't automatically maximalist — avoid random clutter with no hierarchy or weak subject relationships. A strong image still has rhythm, structure, tension, discovery and narrative.
Before the shutter: "What happens if I include more? More layers, reflections, colour, ambiguity, simultaneous stories?"
Study: Alex Webb, Daido Moriyama, Martin Parr, Raghubir Singh, William Eggleston, Gueorgui Pinkhassov, Andreas Gursky, Trent Parke.
Consolidated from notes: Maximalist Photography — Quick Field Checklist; Maximalist photography attributes
Sourced from Claude